The Cast Photo by Ryan Kurtz

The book by Brian Yorkey is a potent, dramatic, and intense portrait of the damage done by mental illness and a family's attempts to cope with losses of various types. With multi-dimensional characters, real-life struggles, and unexpected plot twists, this is a tale that will challenge one's mind and heart. While the storyline drags slightly toward the end of each act, and the ending is hopeful but somewhat unresolved, the overall effect is poignant and thought-provoking.

The piece has one of the best Broadway rock scores since Rent and Spring Awakening. The songs, with lyrics by Mr. Yorkey and music by Tom Kitt (If/Then, Freaky Friday), skillfully blend rock and traditional musical theatre elements. The pulsating chords, edgy and touching lyrics, and emotionally raw yet catchy melodies capture the stress and landscape of the story splendidly. Rock-influenced songs such as the outstanding opener "Just Another Day", "You Don't Know", "I Am The One", which captures the husband's plea for his wife to see his attempts at supporting her, and "Superboy and the Invisible Girl" match the elevated energy of the plot. Broadway-style songs such as "I Miss The Mountains", "A Light In the Dark", and "How Could I Ever Forget?" provide further introspection into the characters. The songs possess well-crafted lyrics and multi-layered musical motifs. The Act 1 score is especially noteworthy, but a few numbers feel a bit derivative after intermission.

As Diana, Jessica Hendy conveys the angst, mania, and detachment of the mentally unstable mother with conviction, and sings the challenging score very well. Charlie Clark convincingly captures the whirlwind of emotions of the supportive and steadfast husband Dan and supplies versatile vocals. Julianne Ferguson provides a praiseworthy and detailed characterization of the largely ignored and frustrated daughter, Natalie, and shows off the production's most impressive vocals–her belting in "Superboy and the Invisible Girl" is not to be missed. As Gabe, Jameson Zoller brings steady singing and is aptly menacing. Carter Minor gives a confident take on the role of Henry, and sings well throughout, and Rory Sheridan plays both doctor roles with theatrical flair and quality vocals.

The direction at ETC by D. Lynn Meyers is first rate, with fluid blocking, a suitable pace, and clear communication of the little things that bring depth to a show. Directorial highlights include "Doctor Rock" and "Wish I Were Here." The limited choreography by Patti James is a good fit, and music director Steve Goers and his four-piece band deserve kudos for an energetic accompaniment.

Brian c. Mehring's sleek, modern, and hip design concept is visually stunning and integrates various lighting effects with a two-plus level set to great effect. The handsome costumes by Hannah Dringenburg capture the feel of the suburban setting well.

The staging of Next to Normal by Ensemble Theatre of Cincinnati is yet again an impressive one, thanks in part to the talented cast. While it's nice to open a new milestone season with a favorite from the past, ETC has made a habit of repeating musicals, with multiple stagings now of Next to Normal, Hedwig and the Angry Inch, Violet, Hands On A Hardbody, and many of their holiday themed shows. Audiences might enjoy seeing productions of musicals which have yet to be done locally with the same strong performers and creative support these shows have had.

Next to Normal runs through October 11, 2025, at Ensemble Theatre Cincinnati, 1127 Vine Street, Cincinnati OH. For tickets and information, please visit www.ensemblecincinnati.org or call 513-421-3555.