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Regional Reviews: Phoenix Grace and Glorie
Set in rural Virginia, the play tells the story of Grace, a strong-willed, terminally ill, elderly woman who has returned to her beloved land to live out her final days, and Gloria, a former high-powered New York City executive turned hospice volunteer. Over the course of the play, these two women from vastly different worlds form an unlikely bond as they share their histories, regrets, hopes and humor. They also find a shared connection due to past personal pain while also learning from one another in ways they never expected. Ziegler's play explores themes of mortality, forgiveness, resilience, and the beauty of simple human kindness. It reflects on the value and importance of connection even in the face of loss. These themes resonate strongly while also reminding us that even at life's end, there is room for joy and growth. However, at over 2-1/2 hours, it's long on exposition without having much revelation. There are also several comical bits thrown in that threaten to turn a serious drama into a comedy. Also, the character of Gloria seems to be written as a little too forceful for a hospice volunteer; while she exhibits genuine empathy and a heartfelt desire to help, it's also slightly unrealistic in how bossy the character is around a dying woman. Fortunately, the two actresses portraying Grace and Gloria deliver performances that bring authenticity and warmth to their roles. Grace, portrayed with grit and humor by Shari Watts, is both feisty and tender, fiercely independent yet open enough to let Gloria into her world. Gloria, played with urgency and a steely exterior but also an underlying vulnerability by Ryan Jenkins, captures the struggle of a woman who is trying to find her new place in life and seeking meaning after tragedy. Their chemistry is natural and compelling, making their evolving friendship feel genuine, heartfelt, and interesting to watch. Chanel Bragg's direction is subtle, allowing the emotional beats of the play to unfold organically. While the pacing is deliberate, which gives the quieter, more reflective moments space to breathe, the comical sequences are slightly broad, although I blame most of that almost sitcom level humor in the show on the script. Fortunately, Bragg has guided the actresses to find truth in their performances, which keeps the audience engaged, and has shaped a production that balances the tender emotions in the play with care. The creative elements invoke a world that feels both intimate and lived-in. Tiana Torrilhon-Wood's excellent rustic cabin setting is detailed and realistic. The costumes by Carol Simmons reflect the characters' personalities. Nathaniel White's lighting beautifully shifts from bright and warm mornings to gentle, shadowing evenings, and the sound design by Kenseye Fort expertly evokes the loud and often threatening noises right outside Grace's home. Grace and Glorie is a touching, funny, and ultimately uplifting dramedy. While it may be slightly long and somewhat predictable, Black Theatre Troupe's production has a dedicated cast and creative team and should leave audiences with a renewed appreciation for the power of empathy and human connection. Black Theatre Troupe's Grace and Glorie runs through September 21, 2025, at Helen K. Mason Performing Arts Center, 1333 East Washington Street, Phoenix AZ. For tickets and information, please visit www.blacktheatretroupe.org or call 602-258-8129 Directed by Chanel Bragg Cast: |
