Past Reviews

Regional Reviews: St. Louis

Steel Magnolias
Tesseract Theatre Company
Review by Richard T. Green

Also see Richard's reviews of Dollhouse by Three Manufacturers and Madam


Lynett Vallejo and Cast
Photo by Florence Flick
Tesseract Theatre Company's production of Robert Harling's Steel Magnolias at the Marcelle Theatre gets lots of character-based laughs. But it also hits a powerful emotional high in its final scene, as a mother's perfect love forces her to deal with the loss of a child.

Margery A. Handy plays M'Lynn, and she and the rest of the multi-racial cast dole out their emotions from the center of their hearts. The limited run is only lightly adapted, with a sprinkling of references to 1980s Black culture. And yet it's entirely fresh to our ears, and our hearts. Truvy, the owner of the show's beauty parlor (in Chinquapin, Louisiana) is played by the Joana Dominguez, and Truvy's assistant Annelle is played by Lily Self-Miller. The whole show comes freshly alive thanks to all of them, under the laser-like focus of director Kathryn Bentley.

It all runs about two hours and fifteen minutes with an intermission. And knowing Steel Magnolias in advance can help in a couple of ways. You'll see how director Bentley consciously highlights the liveliness of the wonderful Ms. Vallejo as Shelby, a vivacious bride-to-be, in act one (Harling is said to have used his own sister as the inspiration for the character). But her great joie de vivre also means that you really feel her absence in the show's final scene.

Tammy O'Donnell's Ouiser brings a kind of "end of the world" finality to her great comic lines. Her speech about tending and harvesting tomatoes (when she doesn't even like them) becomes tract on owning one's own absurdity. Margery A. Handy is hypnotically kind as M'Lynn, elegantly broaching operatic heights of emotion in her final, pained scene. Lynett Vallejo as M'Lynn's daughter Shelby is fully equipped with her own version of perfect love, but it's an emotion that can kill or cure. When a curse first falls on M'Lynn and Shelby, alone in the dark after intermission, it subtly changes Ms. Handy's chemistry. And ultimately strengthens the relationships all across the stage. The splendid Victoria Pines is Clairee, a perfect foil for all of Ouiser's simmering disdain.

Tthe lovely set is by Brittanie Gunn, in tones of turquoise and sandstone, with admirable set decoration. The perfect costumes and wigs are by Shevaré Perry, with immaculate light and sound cues by Cheyenne Grooms.

Audiences seem to thrive, like Ouiser's tomatoes, on the great relationships that exist inside this famous show. It was made into a movie in 1989, and an all-Black Lifetime TV movie in 2012.

Steel Magnolias, produced by Tesseract Theatre Company, continues through August 10, 2025, at the Marcelle Theatre, 3310 Samuel Shepard Dr., St. Louis MO. For tickets and information, please visit www.tesseracttheatreco.org.

Cast:
Truvy: Joana Dominguez
Annelle: Lily Self-Miller
Clairee: Victoria Pines
Shelby: Lynett Vallejo
M'Lynn: Margery A. Handy
Ouiser: Tammy O'Donnell

Production Staff:
Director: Kathryn Bentley
Stage Manager: Brittney Roberson
Lighting Designer: Cheyenne Grooms
Set Designer: Brittanie Gunn
Scenic Painter: David Pisoni
Costume and Wig Designer: Shevaré Perry
Sound Designer: Stan Chisholm
Technical Director: Kevin Sallwasser
Production Manager: Sarah Baucom
Marketing Director: Kevin L. Corpuz
Graphic Designer: Desmond Bryant